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This large vase made at the Longquan Kiln, located in Zhejiang Province, China, modeled after zun (尊), a type of Chinese utensils used in ancestral rites. The Sinan Shipwreck had several of these vases. This type of vase was used to decorate Buddhist temples or sanctuaries as divine tools or to adorn the living space. The mouth is wide open like a trumpet, and several transverse furrows surround the long neck. The body becomes convex and gradually narrows toward the bottom. A think furrow encircles between the body and the foot. The foot was cut at the lower ends of the inner and outer walls, and the foot bottom showed that it was separately made and attached. The upper body is engraved with peony patterns, while the lower body is embossed with thin patterns of lotus leaves. All parts, except the foot bottom, are coated with glossy, light-green glaze. This vase is highly similar in shape and pattern to a celadon vase with peony patterns, which is written with Chinese characters, the words “泰定四年 (the Fourth Year of the Emperor Taiding’s Reign)” collected in the Sir Percival David Foundation of Chinese Art, the British Museum, a similarity that serves as a significant clue in determining its production date.